“I have always liked drawing birds. I can't quite explain why but it may be because like us, they are on two legs and have expressive gestures. It's a way of commenting on the people we see around us without actually drawing individuals.” Quentin Blake
This exhibition, curated by Quentin Blake himself, is the first ever to examine a theme that has intrigued him throughout his career – birds.
It shows a series of original drawings from his personal archive of birds in everyday situations, revealing a kindly but penetrating commentary on the human condition. The subtleties of the birds’ interactions show Blake’s mastery of conveying emotion through expression and gesture, a hallmark of his illustrations.
Many of the works on show were published in Blake’s 2005 book The Life of Birds. The exhibition will also show personal drawings created since 2005 alongside illustrations for Figaro Litteraire, the weekly literary supplement to French daily newspaper Le Figaro. In the introduction to the book illustrator Peter Campbell commented:
“These pictures are the product of half a century spent bringing characters to life on the page. In The Life of Birds Blake follows the path of great illustrators – Grandville and Lear – and fabulists – Aesop and La Fontaine. Blake’s birds are more like novelists’ characters than moralist’s examples. Like Daumier, he creates individuals who are examples of, but not reduced to, types. The drawings are, by turns, insidiously charming, absurdly sad and fiercely observant. They suggest feelings about getting old, about the life of art, about the insufferability of silly people and the unpleasantness of bullies.”
The Quentin Blake Gallery at House of Illustration is the only place in the world to show a continuous but changing exhibition of Blake’s work, exploring his archive of over 35,000 drawings, most of which have never been publicly displayed. It offers a unique insight into the artistic practice of one of the world’s defining illustrators.
"A rare chance to see a selection of original drawings by Blake and enjoy a tightly-focused exhibition dedicated to one of his most rewarding subjects." Creative Review
"Brilliantly quirky ornithology and a 'kindly but penetrating' commentary on the human condition.” The Telegraph
"An exhibition of pure, quirky joy... Blake is an amused observer who pretends that his art is nothing but nonsense, but whose judgements are both shrewd and tolerant." New York Review of Books